The Image of the Ideal Doctor: Reviewing Luke Fildes' The Doctor of 1891
- 주제(키워드) 의사의 이미지 , 빅토리아 시기 의료직 , 루크 필즈 , 사회적 사실주의 , 미술 비평 , Image of Doctor , Victorian Medical Profession , Luke Fildes , Social Realism , Art Review
- 주제(기타) 미술사
- 설명문(URI) https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002617264
- 등재 KCI등재
- 발행기관 서양미술사학회
- 발행년도 2020
- URI http://www.dcollection.net/handler/ewha/000000176207
- 본문언어 영어
초록/요약
The Doctor, painted in 1891 by the English artist Luke Fildes, has been widely hailed as one of the most famous medical images in the history of Western art. Set in an impoverished rural English cottage, it highlights the moment of life and death facing a sick child, attended by a caring doctor, and presents the doctor as an unsung hero of the weak. Drawing largely on a variety of contemporary reviews of the picture scattered in newspapers and magazines, many of which have remained hitherto undiscovered, the purpose of this article is twofold. First, it reconstructs the immediate contexts in which the painting was produced and received. In the process such obvious misinformation, still widely circulating on the internet, that it was commissioned by Queen Victoria is definitely quashed. Second, it argues that Fildes succeeded in giving a concrete visual form to an invisible image of the ideal family doctor in Victorian Britain, and that this success was at the heart of the painting's immense popularity at the end of the nineteenth century. The image of the selfless family doctor, however, is illusory as the vision of selflessness itself may be an illusion that has hardly existed in reality but only in art.
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