1930년대 모더니즘 네트워크와 거점으로서의 동인지-모더니즘 동인지 『시와 소설』, 『삼사문학』을 중심으로
Modernism Network and Magazine as its base in the 1930s-Focusing on Poetry and Novel and Three Four Literature
- 주제(키워드) 구인회 , 『시와 소설』 , 『삼사문학』 , 『창작』 , 『탐구』 , 초현실주의 , 모더니즘 네트워크 , 동인지 , 김기림 , 이상 , 신백수 , Guinhoe , Poetry and Novel , Three Four Literature , Creation , Research , surrealism , modernism network , coterie magazine , Kim Kirim , Lee sang , Shin Baek-soo
- 주제(기타) 현대시(국문학)
- 설명문(URI) https://www.kci.go.kr/kciportal/ci/sereArticleSearch/ciSereArtiView.kci?sereArticleSearchBean.artiId=ART002753187
- 관리정보기술 faculty
- 등재 KCI등재
- 발행기관 구보학회
- 발행년도 2021
- URI http://www.dcollection.net/handler/ewha/000000182998
- 본문언어 한국어
- Published As http://dx.doi.org/10.35153/gubokr.2021..28.002
초록/요약
This study focused on modernism’s network and publication of magazines as the driving force that spurred various practices and expansion of modernism in the 1930s. In addition reconsidered the characteristics of Guinhoe and Poetry and Novel, and revealed new literary achievements such as Three Four Literature, Creation and Research, which were Tokyo published. Three Four Literature, like the Western and East Asian modernist movement, established a break with contemporary literature, and showed a sense of identity with Kim Kirim and Lee sang artistically. In particular, the artistic trend pursued by Lee sang and Three Four Literature was Surrealism, and in this sense of homogeneity, it was revealed that Lee sang’s going to Tokyo was accomplished through the encounter with Three Four Literature and the pursuit of new art. For the validity of this interpretation, while reconsidering the publication status of Three Four Literature, which had not previously been confirmed for publication, the possibility that the current edition of the 5th album is the revised and completed version of the 5th book published in Tokyo was raised. In addition, I discussed the relationship between Guinhoe to which the poet Lee sang belongs, Three Four Literature and coterie magazines such as Creation and Research. centering on the Tokyo Student Art Center were newly discussed, and these networks expanded and inherited modernism in the 1930s.
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